Weldens Heed

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<channel>
	<title>Weldens Heed</title>
	<link>http://www.weldensheed.com</link>
	<description>Weldens Heed</description>
	<pubDate>Sun, 28 Aug 2011 15:08:16 +0000</pubDate>
	<generator>http://www.weldensheed.com</generator>
	<language>en</language>
	
		
	<item>
		<title>GENERAL SPECIFICS</title>
		<link>http://www.weldensheed.com/GENERAL-SPECIFICS</link>
		<comments>http://www.weldensheed.com/following/weldensheed.com/GENERAL-SPECIFICS</comments>
		<pubDate>Sun, 28 Aug 2011 15:08:16 +0000</pubDate>

		<dc:creator>Weldens Heed</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>
&#60;img src="http://payload.cargocollective.com/1/0/14329/749583/will it for web.jpg" border="0" width="670" height="449" width_o="670" height_o="449" src_o="http://payload.cargocollective.com/1/0/14329/749583/will it for web_o.jpg" align="left" caption="&#38;lt;b&#38;gt;&#38;lt;i&#38;gt;untitled&#38;lt;/i&#38;gt;&#38;lt;/b&#38;gt; 2011&#38;lt;br /&#38;gt;
Laser print, gouache, pen and marker pen on 220gsm Fabriano Artistico paper&#38;lt;br /&#38;gt;
420 x 297 mm, unframed"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/749583/minutes of dusk (detail).jpg" border="0" width="670" height="670" width_o="670" height_o="670" src_o="http://payload.cargocollective.com/1/0/14329/749583/minutes of dusk (detail)_o.jpg" align="left" caption="&#38;lt;b&#38;gt;&#38;lt;i&#38;gt;Minutes of Dusk&#38;lt;/i&#38;gt;&#38;lt;/b&#38;gt; 2008 &#38;lt;br /&#38;gt;
(detail)&#38;lt;br /&#38;gt;
Photographic collage on daler 180gsm paper&#38;lt;br /&#38;gt;
297 x 210 mm landscape"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/749583/Minutes of dusk (detail2).jpg" border="0" width="670" height="670" width_o="670" height_o="670" src_o="http://payload.cargocollective.com/1/0/14329/749583/Minutes of dusk (detail2)_o.jpg" align="left" caption="&#38;lt;b&#38;gt;&#38;lt;i&#38;gt;Minutes of Dusk&#38;lt;/i&#38;gt;&#38;lt;/b&#38;gt; (detail) 2008&#38;lt;br /&#38;gt;
Photographic collage on daler 180gsm paper&#38;lt;br /&#38;gt;
297 x 210 mm landscape"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/749583/split.jpg" border="0" width="670" height="446" width_o="670" height_o="446" src_o="http://payload.cargocollective.com/1/0/14329/749583/split_o.jpg" align="left" caption="&#38;lt;b&#38;gt;&#38;lt;i&#38;gt;A gun, jumped&#38;lt;/i&#38;gt; &#38;lt;/b&#38;gt;2010 Canadian green pine, received from the artist &#38;lt;a href=&#38;quot;http://showtime.arts.ac.uk/EllaLucas&#38;quot; target=&#38;quot;_blank&#38;quot;&#38;gt;Ella lucas&#38;lt;/a&#38;gt;, modified Reisser screw"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/749583/split2.jpg" border="0" width="670" height="446" width_o="670" height_o="446" src_o="http://payload.cargocollective.com/1/0/14329/749583/split2_o.jpg" align="left" caption="&#38;lt;b&#38;gt;&#38;lt;i&#38;gt;A gun, jumped&#38;lt;/i&#38;gt;&#38;lt;/b&#38;gt; 2010 (Detail) Canadian green pine, received from the artist &#38;lt;a href=&#38;quot;http://showtime.arts.ac.uk/EllaLucas&#38;quot; target=&#38;quot;_blank&#38;quot;&#38;gt;Ella lucas&#38;lt;/a&#38;gt;, modified Reisser screw"/&#62; </description>
		<wfw:commentRss></wfw:commentRss>

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	<item>
		<title>THE LOMBARD METHOD</title>
		<link>http://www.weldensheed.com/THE-LOMBARD-METHOD</link>
		<comments>http://www.weldensheed.com/following/weldensheed.com/THE-LOMBARD-METHOD</comments>
		<pubDate>Fri, 28 Jan 2011 11:58:23 +0000</pubDate>

		<dc:creator>Weldens Heed</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">187182</guid>
		<description>
"The Lombard Method staged a wildly ambitious show in which they invited similarly overactive organisations from across the country to contribute a slice of their thoughtful programmes."

- Laura Mclean-Ferris, The Independent

The Lombard Method is many things. Functioning primarily as a large communal studio with flexible project spaces, the objective of the group of young directors is to develop individual practice through critical dialogue and group interaction and to engage with other artists through a programme of residencies, exhibitions, and events. A lot more Info can be found here: The Lombard Method



Jay Somerville shot this film capturing The Lombard Method's project for Birmingham's Biennial Festival The Event 2011



Video Interview by Tether back in the infancy of the space in 2009.</description>
		<wfw:commentRss></wfw:commentRss>

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	<item>
		<title>Why</title>
		<link>http://www.weldensheed.com/Why</link>
		<comments>http://www.weldensheed.com/following/weldensheed.com/Why</comments>
		<pubDate>Mon, 29 Nov 2010 17:16:45 +0000</pubDate>

		<dc:creator>Weldens Heed</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">247108</guid>
		<description>Why 2008 -
Text document

Why started off as a generative excercise in the guise of an infantile diary of sorts. With no agenda other than to entertain the provoked pattern and cross examine both rationale and reasoning, the artist initiates an exhaustive conversation with the self. Mimicking that of a child's insessant questioning about the world (notoriously towards its mother) quite quickly and on repeated occasions / attempts, subjects as disparate as chalk and cheese are pondered over. 
 

[...]  

Why?
It is more like the luck of the Irish with an accomplice in the form of a niggling distraction. Like a buzzing in the ears when you’re trying to hear the operator saying your bank statement, or the options on an automated phone menu. When it matters, there is always something to fuck you up. (Press # to hear this again)
Why?
Because you’ll always need to hear it again, without fail. Otherwise it is down to that wild instinct again, a right random stab in the dark. 
Why?
Due to you not having all the required information. For example, when you have a large Jigsaw puzzle (1000+ pieces) and you get all the way to the end to find that Vermeer’s Girl with a pearl earring doesn’t have a pearl. She is then just some ginger with a headscarf…
Why?
The most distinguishable feature is excluded. That doesn’t mean to say an educated individual cannot deduce the missing characters in the word ‘B**stard’. (I spell it with a double ‘s’ apparently)
She is still the same peasant girl with a coy glance over her shoulder at the viewer; just she is minus the bling. The image now however, is an incomplete version; an edit, an almost, a letdown. No, it is just not the same. It is like when your mother buys you the infamous No Frills brand chocolate finger biscuits, when all you really want is a KIT KAT.

[…]


&#60;img src="http://payload.cargocollective.com/1/0/14329/247108/500k install web.jpg" border="0" width="670" height="450" width_o="670" height_o="450" src_o="http://payload.cargocollective.com/1/0/14329/247108/500k install web_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Working title (with no spine)&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2010&#38;lt;br /&#38;gt;
The entirety of the paper's content at any given point, printed and assembled so that it takes up only the area of the spine of its projected book format. Inkjet print on archival paper. &#38;lt;br /&#38;gt;
Dimensions variable."/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/247108/image 2.JPG" border="0" width="670" height="448" width_o="2048" height_o="1370" src_o="http://payload.cargocollective.com/1/0/14329/247108/image 2_o.JPG" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Working title (with no spine)&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2010&#38;lt;br /&#38;gt;
The entirety of the paper's content at any given point, printed and assembled so that it takes up only the area of the spine of its projected book format. Inkjet print on archival paper. &#38;lt;br /&#38;gt;
Dimensions variable."/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/247108/y compress detail web.jpg" border="0" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/0/14329/247108/y compress detail web_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Working title (with no spine)&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2010&#38;lt;br /&#38;gt;
The entirety of the paper's content at any given point, printed and assembled so that it takes up only the area of the spine of its projected book format. Inkjet print on archival paper. &#38;lt;br /&#38;gt;
Dimensions variable."/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/247108/WHY resize.jpg" border="0" width="670" height="446" width_o="670" height_o="446" src_o="http://payload.cargocollective.com/1/0/14329/247108/WHY resize_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Why? (to the power of something chronic)&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2008&#38;lt;br /&#38;gt;
Gel ink on paper on wall, pen, hand knitted cardigan aged 3 years.&#38;lt;br /&#38;gt;
Dimensions varied. &#38;lt;i&#38;gt;Exhibition shot, The Works Gallery, Birmingham&#38;lt;/i&#38;gt;"/&#62; 

Further excerpts from ongoing text:

[...]

Why?
That always happens, doesn’t it? I mean, when someone mentions something, or use a particular word that seems to stand out from all the other insignificant others they are spouting; it stands out for a reason. (Probably because you have affinity with a fricative, or you just happen to adore the word ‘crisp’)
Why?

[...]

Why?
I am interested in language flaws, not floors, and my overall interest in the friction between speech and written language is probably coinciding with my understanding of other visual and communicative languages. I have always been taken by the idea of authorship, ideas and notions and theorems, etc. 
I can sepll grate and my good is grammar.
I constantly misspell and misuse words, all the thyme. I also like the idea of ‘proof reading’ on account of your brain not detecting fairly obvious errors in the same way a good friend or a spell checking codec in a word processor would.
Why?
A second opinion. I want to know what others may think on a subject. Going at something from one direction is not at all enlightening – if anything, the available information will be just a fragment of the whole package and thus, like us looking at a cuboid from face on and close up; if we utilize our friends who are perhaps figuratively situated at a different angle, sat observing the same subject from another direction, whilst eating cake and making a mess, then perhaps, when they finally stop munching and are able to tell you  that it has apexes and numerous faces,  and you may learn that there are other colours and textures and other information involved – as opposed to the plain square that will be visible to us at first, conceited glance. ‘More than meets the eye’ should be extended to more than meets the single eye. 
This brings me to think of some inbuilt dysfunctional aspect, that we sometimes just happen to be content with not knowing everything- this can be enough to get us by, on a need to know basis. In a sense, we necessitate genuinity.
Why?

[...]

</description>
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	</item>
		
		
	<item>
		<title>NARRATIVE</title>
		<link>http://www.weldensheed.com/NARRATIVE</link>
		<comments>http://www.weldensheed.com/following/weldensheed.com/NARRATIVE</comments>
		<pubDate>Sun, 28 Nov 2010 12:47:28 +0000</pubDate>

		<dc:creator>Weldens Heed</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">189441</guid>
		<description>
&#60;img src="http://payload.cargocollective.com/1/0/14329/189441/Tension in the ranks 6mb crop3.jpg" border="0" width="670" height="390" width_o="2048" height_o="1193" src_o="http://payload.cargocollective.com/1/0/14329/189441/Tension in the ranks 6mb crop3_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Tension in the ranks&#38;lt;/b&#38;gt; (details)&#38;lt;/i&#38;gt; 2008&#38;lt;br /&#38;gt;
Digital inkjet print on archival paper and bulldog clips. Dimensions Variable. "/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/189441/Tension in the ranks 6mb crop2.jpg" border="0" width="670" height="473" width_o="2048" height_o="1445" src_o="http://payload.cargocollective.com/1/0/14329/189441/Tension in the ranks 6mb crop2_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Tension in the ranks&#38;lt;/b&#38;gt; (details)&#38;lt;/i&#38;gt; 2008&#38;lt;br /&#38;gt;
Digital inkjet print on archival paper and bulldog clips. Dimensions Variable. "/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/189441/Tension in the ranks 6mb crop.jpg" border="0" width="670" height="466" width_o="2048" height_o="1424" src_o="http://payload.cargocollective.com/1/0/14329/189441/Tension in the ranks 6mb crop_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Tension in the ranks&#38;lt;/b&#38;gt; (details)&#38;lt;/i&#38;gt; 2008&#38;lt;br /&#38;gt;
Digital inkjet print on archival paper and bulldog clips. Dimensions Variable. "/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/189441/unnatural phenomena resize.jpg" border="0" width="670" height="496" width_o="1969" height_o="1459" src_o="http://payload.cargocollective.com/1/0/14329/189441/unnatural phenomena resize_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Unnatural Phenomena&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2007, 2010&#38;lt;br /&#38;gt;
Series of postcards, matte finish. "/&#62; </description>
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	</item>
		
		
	<item>
		<title>THE AROME ABSOLUT</title>
		<link>http://www.weldensheed.com/THE-AROME-ABSOLUT</link>
		<comments>http://www.weldensheed.com/following/weldensheed.com/THE-AROME-ABSOLUT</comments>
		<pubDate>Mon, 22 Nov 2010 16:42:39 +0000</pubDate>

		<dc:creator>Weldens Heed</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">154223</guid>
		<description>
&#60;img src="http://payload.cargocollective.com/1/0/14329/154223/pft web.jpg" border="0" width="670" height="444" width_o="670" height_o="444" src_o="http://payload.cargocollective.com/1/0/14329/154223/pft web_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Proposal for trees&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2011&#38;lt;br /&#38;gt;
Original Pen on 220gsm somerset watercolour paper&#38;lt;br /&#38;gt;
297 x 210 mm unframed&#38;lt;br /&#38;gt;
&#38;lt;i&#38;gt;Exhibition shot: SEE HEAR at Midlands Art Centre, Birmingham&#38;lt;br /&#38;gt;
&#38;lt;/i&#38;gt;"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/154223/500k install detail web.jpg" border="0" width="670" height="446" width_o="670" height_o="446" src_o="http://payload.cargocollective.com/1/0/14329/154223/500k install detail web_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;500k miles (as we mean to go on) &#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2009&#38;lt;br /&#38;gt;
Cutting from a misprinted issue1 jan 2009 &#38;lt;i&#38;gt;Landrover Owner International&#38;lt;/i&#38;gt; magazine.&#38;lt;br /&#38;gt;
Double sided and framed"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/154223/002.jpg" border="0" width="670" height="498" width_o="2048" height_o="1525" src_o="http://payload.cargocollective.com/1/0/14329/154223/002_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;500k miles (as we mean to go on) &#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2009&#38;lt;br /&#38;gt;
Cutting from a misprinted issue1 jan 2009 &#38;lt;i&#38;gt;Landrover Owner International&#38;lt;/i&#38;gt; magazine.&#38;lt;br /&#38;gt;
Double sided and framed"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/154223/001.jpg" border="0" width="670" height="484" width_o="2048" height_o="1481" src_o="http://payload.cargocollective.com/1/0/14329/154223/001_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;500k miles (as we mean to go on) &#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2009&#38;lt;br /&#38;gt;
Cutting from a misprinted issue1 jan 2009 &#38;lt;i&#38;gt;Landrover Owner International&#38;lt;/i&#38;gt; magazine.&#38;lt;br /&#38;gt;
Double sided and framed"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/154223/arome2.jpg" border="0" width="670" height="445" width_o="680" height_o="452" src_o="http://payload.cargocollective.com/1/0/14329/154223/arome2_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;In search for the Arome Absolut (after John Martin)&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt;, 2009&#38;lt;br /&#38;gt;
Milliput, polyfiller, polystyrene, glass paint, varnish, plastic, cardboard, &#38;lt;br /&#38;gt;
acrylic, found object, nylon, bark, sand. &#38;lt;br /&#38;gt;
Approx 22 x 22 x 18 inches."/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/154223/arome1.jpg" border="0" width="670" height="534" width_o="680" height_o="542" src_o="http://payload.cargocollective.com/1/0/14329/154223/arome1_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;In search for the Arome Absolut (after John Martin)&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt;, 2009&#38;lt;br /&#38;gt;
Milliput, polyfiller, polystyrene, glass paint, varnish, plastic, cardboard, &#38;lt;br /&#38;gt;
acrylic, found object, nylon, bark, sand. &#38;lt;br /&#38;gt;
Approx 22 x 22 x 18 inches."/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/154223/FRO.JPG" border="0" width="670" height="445" width_o="1936" height_o="1288" src_o="http://payload.cargocollective.com/1/0/14329/154223/FRO_o.JPG" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;The plodding accumulation of error&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2008&#38;lt;br /&#38;gt;
Gel ink on acrylic primer on canvas x 2&#38;lt;br /&#38;gt;
Each 48 x 48 inches"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/154223/plod2 web640w.jpg" border="0" width="640" height="425" width_o="640" height_o="425" src_o="http://payload.cargocollective.com/1/0/14329/154223/plod2 web640w_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;The plodding accumulation of error&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2008&#38;lt;br /&#38;gt;
Gel ink on acrylic primer on canvas x 2&#38;lt;br /&#38;gt;
Each 48 x 48 inches"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/154223/Exhiition Shot.JPG" border="0" width="670" height="502" width_o="1600" height_o="1200" src_o="http://payload.cargocollective.com/1/0/14329/154223/Exhiition Shot_o.JPG" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Found it&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2007&#38;lt;br /&#38;gt;
Clay, sable and acrylic on wood."/&#62; </description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>MISCARCHIVE</title>
		<link>http://www.weldensheed.com/MISCARCHIVE</link>
		<comments>http://www.weldensheed.com/following/weldensheed.com/MISCARCHIVE</comments>
		<pubDate>Mon, 22 Nov 2010 16:03:26 +0000</pubDate>

		<dc:creator>Weldens Heed</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">189397</guid>
		<description>
&#60;img src="http://payload.cargocollective.com/1/0/14329/189397/ waisad web.jpg" border="0" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/0/14329/189397/ waisad web_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;When all is said and done &#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2008&#38;lt;br /&#38;gt;
Keyboard, acrylic, vinyl adhesive lettering"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/189397/waisad detail1 web.jpg" border="0" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/0/14329/189397/waisad detail1 web_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;When all is said and done &#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2008&#38;lt;br /&#38;gt;
Keyboard, acrylic, vinyl adhesive lettering"/&#62; 


&#60;img src="http://payload.cargocollective.com/1/0/14329/189397/glial exhibition shot.jpg" border="0" width="640" height="426" width_o="640" height_o="426" src_o="http://payload.cargocollective.com/1/0/14329/189397/glial exhibition shot_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Glial Precipitates&#38;lt;/b&#38;gt; (details)&#38;lt;/i&#38;gt; 2008&#38;lt;br /&#38;gt;
Mixed media (newspaper misprint, modified Rubik’s cube, pen on paper, two dice, 10 pence piece, perspex box, 7 polaroids, mixed media on board (framed), magazine misprint (framed), 16 x 9 digital photograph, permanent marker on card, Black upvc guttering)&#38;lt;br /&#38;gt;
Dimensions variable."/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/189397/136273S.JPG" border="0" width="670" height="445" width_o="1936" height_o="1288" src_o="http://payload.cargocollective.com/1/0/14329/189397/136273S_o.JPG" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Glial Precipitates&#38;lt;/b&#38;gt; (details)&#38;lt;/i&#38;gt; 2008&#38;lt;br /&#38;gt;
Mixed media (newspaper misprint, modified Rubik’s cube, pen on paper, two dice, 10 pence piece, perspex box, 7 polaroids, mixed media on board (framed), magazine misprint (framed), 16 x 9 digital photograph, permanent marker on card, Black upvc guttering)&#38;lt;br /&#38;gt;
Dimensions variable."/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/189397/Precipitate.JPG" border="0" width="670" height="445" width_o="1936" height_o="1288" src_o="http://payload.cargocollective.com/1/0/14329/189397/Precipitate_o.JPG" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Glial Precipitates&#38;lt;/b&#38;gt; (details)&#38;lt;/i&#38;gt; 2008&#38;lt;br /&#38;gt;
Mixed media (newspaper misprint, modified Rubik’s cube, pen on paper, two dice, 10 pence piece, perspex box, 7 polaroids, mixed media on board (framed), magazine misprint (framed), 16 x 9 digital photograph, permanent marker on card, Black upvc guttering)&#38;lt;br /&#38;gt;
Dimensions variable."/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/189397/Sud gamble.JPG" border="0" width="670" height="446" width_o="1899" height_o="1266" src_o="http://payload.cargocollective.com/1/0/14329/189397/Sud gamble_o.JPG" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Glial Precipitates&#38;lt;/b&#38;gt; (details)&#38;lt;/i&#38;gt; 2008&#38;lt;br /&#38;gt;
Mixed media (newspaper misprint, modified Rubik’s cube, pen on paper, two dice, 10 pence piece, perspex box, 7 polaroids, mixed media on board (framed), magazine misprint (framed), 16 x 9 digital photograph, permanent marker on card, Black upvc guttering)&#38;lt;br /&#38;gt;
Dimensions variable."/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/189397/Tickety Boom.JPG" border="0" width="670" height="445" width_o="1936" height_o="1288" src_o="http://payload.cargocollective.com/1/0/14329/189397/Tickety Boom_o.JPG" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Glial Precipitates&#38;lt;/b&#38;gt; (details)&#38;lt;/i&#38;gt; 2008&#38;lt;br /&#38;gt;
Mixed media (newspaper misprint, modified Rubik’s cube, pen on paper, two dice, 10 pence piece, perspex box, 7 polaroids, mixed media on board (framed), magazine misprint (framed), 16 x 9 digital photograph, permanent marker on card, Black upvc guttering)&#38;lt;br /&#38;gt;
Dimensions variable."/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/189397/long shot resize.jpg" border="0" width="670" height="443" width_o="670" height_o="443" src_o="http://payload.cargocollective.com/1/0/14329/189397/long shot resize_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Glial Precipitates&#38;lt;/b&#38;gt; (details)&#38;lt;/i&#38;gt; 2008&#38;lt;br /&#38;gt;
Mixed media (newspaper misprint, modified Rubik’s cube, pen on paper, two dice, 10 pence piece, perspex box, 7 polaroids, mixed media on board (framed), magazine misprint (framed), 16 x 9 digital photograph, permanent marker on card, Black upvc guttering)&#38;lt;br /&#38;gt;
Dimensions variable."/&#62; 

&#60;img src="http://payload.cargocollective.com/1/0/14329/189397/icon remenance bw.jpg" border="0" width="670" height="507" width_o="670" height_o="507" src_o="http://payload.cargocollective.com/1/0/14329/189397/icon remenance bw_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Icon Occurrences (series)&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2008&#38;lt;br /&#38;gt;
Photography"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/189397/ICON STITCH FOR WEB final.jpg" border="0" width="670" height="426" width_o="670" height_o="426" src_o="http://payload.cargocollective.com/1/0/14329/189397/ICON STITCH FOR WEB final_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Icon Occurrences (series)&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2008&#38;lt;br /&#38;gt;
Photography"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/0/14329/189397/plotting.jpg" border="0" width="670" height="447" width_o="2048" height_o="1367" src_o="http://payload.cargocollective.com/1/0/14329/189397/plotting_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Untitled (Bet you this much that this has not been before)&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2008&#38;lt;br /&#38;gt;
Ink on cardboard on gallery wall. Dimensions variable."/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/189397/scale.jpg" border="0" width="670" height="447" width_o="2048" height_o="1367" src_o="http://payload.cargocollective.com/1/0/14329/189397/scale_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Untitled (Bet you this much that this has not been before)&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2008&#38;lt;br /&#38;gt;
Ink on cardboard on gallery wall. Dimensions variable."/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/189397/plot.jpg" border="0" width="670" height="447" width_o="2048" height_o="1367" src_o="http://payload.cargocollective.com/1/0/14329/189397/plot_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Untitled (Bet you this much that this has not been before)&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2008&#38;lt;br /&#38;gt;
Ink on cardboard on gallery wall. Dimensions variable."/&#62; 

&#60;img src="http://payload.cargocollective.com/1/0/14329/189397/room shot.jpg" border="0" width="640" height="480" width_o="640" height_o="480" src_o="http://payload.cargocollective.com/1/0/14329/189397/room shot_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Something out of nothing&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2007&#38;lt;br /&#38;gt;
Chalk on blackboard. &#38;lt;br /&#38;gt;
42 x 90 inches."/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/189397/sharpened.jpg" border="0" width="640" height="480" width_o="640" height_o="480" src_o="http://payload.cargocollective.com/1/0/14329/189397/sharpened_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Something out of nothing&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2007&#38;lt;br /&#38;gt;
Chalk on blackboard. &#38;lt;br /&#38;gt;
42 x 90 inches."/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/189397/detail.JPG" border="0" width="640" height="480" width_o="640" height_o="480" src_o="http://payload.cargocollective.com/1/0/14329/189397/detail_o.JPG" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Something out of nothing&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2007&#38;lt;br /&#38;gt;
Chalk on blackboard. &#38;lt;br /&#38;gt;
42 x 90 inches."/&#62; 

&#60;img src="http://payload.cargocollective.com/1/0/14329/189397/painting degree.jpg" border="0" width="629" height="484" width_o="629" height_o="484" src_o="http://payload.cargocollective.com/1/0/14329/189397/painting degree_o.jpg" align="left" /&#62; 
</description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>THROUGH MELTING SNOW</title>
		<link>http://www.weldensheed.com/THROUGH-MELTING-SNOW</link>
		<comments>http://www.weldensheed.com/following/weldensheed.com/THROUGH-MELTING-SNOW</comments>
		<pubDate>Mon, 22 Nov 2010 12:51:17 +0000</pubDate>

		<dc:creator>Weldens Heed</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">800215</guid>
		<description>Sieving through melting snow
A mixed media installation that comprised of seven pieces completed in 2009, summarising the final year of study at Margaret Street School of Art, Birmingham, UK.


&#60;img src="http://payload.cargocollective.com/1/0/14329/800215/2weldenrecognite.jpg" border="0" width="670" height="445" width_o="1024" height_o="681" src_o="http://payload.cargocollective.com/1/0/14329/800215/2weldenrecognite_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Recognite&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt;  2009&#38;lt;br /&#38;gt;
Oil on board, Plaster, Resin, MDF, Pendulum clock component and Aluminium spherical gauze strainer. Approx. 26 x 30 x 6 inches. Margaret st Graduate show 2009, Birmingham"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/800215/memhope670.jpg" border="0" width="670" height="445" width_o="670" height_o="445" src_o="http://payload.cargocollective.com/1/0/14329/800215/memhope670_o.jpg" align="left" caption="View from &#38;lt;b&#38;gt;&#38;lt;i&#38;gt;Recognite&#38;lt;/i&#38;gt; &#38;lt;/b&#38;gt;installed in &#38;lt;i&#38;gt;Memory of a Hope&#38;lt;/i&#38;gt;, Ceri Hand gallery, Liverpool 2011 &#38;lt;i&#38;gt;Photography: Helen Palmer&#38;lt;br /&#38;gt;
&#38;lt;/i&#38;gt;"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/800215/CH2011B stitch 640.jpg" border="0" width="670" height="425" width_o="670" height_o="425" src_o="http://payload.cargocollective.com/1/0/14329/800215/CH2011B stitch 640_o.jpg" align="left" caption="&#38;lt;b&#38;gt;&#38;lt;i&#38;gt;Recognite&#38;lt;/i&#38;gt; &#38;lt;/b&#38;gt;installed in &#38;lt;i&#38;gt;Memory of a Hope&#38;lt;/i&#38;gt;, Ceri Hand gallery, Liverpool 2011 &#38;lt;i&#38;gt;Photography: Helen Palmer&#38;lt;br /&#38;gt;
&#38;lt;/i&#38;gt;"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/800215/wide.jpg" border="0" width="670" height="376" width_o="1024" height_o="576" src_o="http://payload.cargocollective.com/1/0/14329/800215/wide_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Never Looked This Way Before&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt;  2009&#38;lt;br /&#38;gt;
Stills from film&#38;lt;br /&#38;gt;
Looped HD DVD 3m 25s"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/800215/quasi.jpg" border="0" width="670" height="376" width_o="1024" height_o="576" src_o="http://payload.cargocollective.com/1/0/14329/800215/quasi_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Never Looked This Way Before&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt;  2009&#38;lt;br /&#38;gt;
Stills from film&#38;lt;br /&#38;gt;
Looped HD DVD 3m 25s"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/800215/recoil.png" border="0" width="670" height="376" width_o="1024" height_o="576" src_o="http://payload.cargocollective.com/1/0/14329/800215/recoil_o.png" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Never Looked This Way Before&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt;  2009&#38;lt;br /&#38;gt;
Stills from film&#38;lt;br /&#38;gt;
Looped HD DVD 3m 25s"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/800215/The_Cobatant_(detail).jpg" border="0" width="670" height="445" width_o="1936" height_o="1288" src_o="http://payload.cargocollective.com/1/0/14329/800215/The_Cobatant_(detail)_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;The Combatant&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt;  2009&#38;lt;br /&#38;gt;
Acrylic, cord, rubber foam, site specific pine, MDF, steel, milliput, oil.  &#38;lt;br /&#38;gt;
Dimensions Variable"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/800215/The_Cobatant.jpg" border="0" width="670" height="445" width_o="1936" height_o="1288" src_o="http://payload.cargocollective.com/1/0/14329/800215/The_Cobatant_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;The Combatant&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt;  2009&#38;lt;br /&#38;gt;
Acrylic, cord, rubber foam, site specific pine, MDF, steel, milliput, oil.  &#38;lt;br /&#38;gt;
Dimensions Variable"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/800215/Circacirque.jpg" border="0" width="670" height="444" width_o="1850" height_o="1226" src_o="http://payload.cargocollective.com/1/0/14329/800215/Circacirque_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Circacirque&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt;  2009&#38;lt;br /&#38;gt;
Gel ink on inkjet print on archival paper, landscape format polaroid. "/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/800215/Circacirque_(detail) (2).jpg" border="0" width="670" height="445" width_o="1936" height_o="1288" src_o="http://payload.cargocollective.com/1/0/14329/800215/Circacirque_(detail) (2)_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Circacirque&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; (detail)  2009&#38;lt;br /&#38;gt;
Gel ink on inkjet print on archival paper, landscape format polaroid. "/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/800215/circa wide detail.jpg" border="0" width="670" height="440" width_o="1919" height_o="1262" src_o="http://payload.cargocollective.com/1/0/14329/800215/circa wide detail_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Circacirque&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt;  2009&#38;lt;br /&#38;gt;
Gel ink on inkjet print on archival paper, landscape format polaroid. "/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/800215/Given_more_time_(at_any_given_point)_detail_.jpg" border="0" width="670" height="445" width_o="1936" height_o="1288" src_o="http://payload.cargocollective.com/1/0/14329/800215/Given_more_time_(at_any_given_point)_detail__o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Given more time (at any given point)&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt;  2009&#38;lt;br /&#38;gt;
Mixed media on customised Rubik's cube, felt.&#38;lt;br /&#38;gt;
"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/800215/Given_more_time_(at_any_given_point).jpg" border="0" width="670" height="445" width_o="1936" height_o="1288" src_o="http://payload.cargocollective.com/1/0/14329/800215/Given_more_time_(at_any_given_point)_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Given more time (at any given point)&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt;  2009&#38;lt;br /&#38;gt;
Mixed media on customised Rubik's cube, felt.&#38;lt;br /&#38;gt;
"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/800215/Blench distant web.jpg" border="0" width="670" height="445" width_o="1288" height_o="856" src_o="http://payload.cargocollective.com/1/0/14329/800215/Blench distant web_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Blench&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt;  2009&#38;lt;br /&#38;gt;
Aluminium, plastic, silicone and fluroescent pigment.&#38;lt;br /&#38;gt;
Approx 32 x 2.5 x 1 inches&#38;lt;br /&#38;gt;
"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/800215/Blench_(detail).jpg" border="0" width="670" height="445" width_o="1936" height_o="1288" src_o="http://payload.cargocollective.com/1/0/14329/800215/Blench_(detail)_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Blench&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; (detail) 2009&#38;lt;br /&#38;gt;
Aluminium, plastic, silicone and fluroescent pigment.&#38;lt;br /&#38;gt;
Approx 32 x 2.5 x 1 inches&#38;lt;br /&#38;gt;
"/&#62; </description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>3rd HAND</title>
		<link>http://www.weldensheed.com/3rd-HAND</link>
		<comments>http://www.weldensheed.com/following/weldensheed.com/3rd-HAND</comments>
		<pubDate>Mon, 22 Nov 2010 12:49:47 +0000</pubDate>

		<dc:creator>Weldens Heed</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">189568</guid>
		<description>Joseph Welden &#38; Tim Stock

 2009 saw the start of a series of collaborative pieces made with artist Tim Stock. The residues of this amalgamation turned out to be far removed from both individual practices. Both parties are interested in the notion of a forged counterpart or a new identity that occurs without warning or hesitation.


&#60;img src="http://payload.cargocollective.com/1/0/14329/189568/MAGLAMA.jpg" border="0" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/0/14329/189568/MAGLAMA_o.jpg" align="left" caption="&#38;lt;b&#38;gt;&#38;lt;i&#38;gt;Maglama&#38;lt;/i&#38;gt;&#38;lt;/b&#38;gt;, 2011&#38;lt;br /&#38;gt;
Mixed media installation"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/189568/curfewmap1.jpg" border="0" width="670" height="371" width_o="2048" height_o="1134" src_o="http://payload.cargocollective.com/1/0/14329/189568/curfewmap1_o.jpg" align="left" caption="&#38;lt;b&#38;gt;&#38;lt;i&#38;gt;Curfew Map&#38;lt;/i&#38;gt;&#38;lt;/b&#38;gt; 2011&#38;lt;br /&#38;gt;
Framed amended map of Cushunden, NI"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/189568/curfewmap2.jpg" border="0" width="670" height="372" width_o="1686" height_o="937" src_o="http://payload.cargocollective.com/1/0/14329/189568/curfewmap2_o.jpg" align="left" caption="&#38;lt;b&#38;gt;&#38;lt;i&#38;gt;Curfew Map&#38;lt;/i&#38;gt;&#38;lt;/b&#38;gt; 2011&#38;lt;br /&#38;gt;
Framed amended map of Cushunden, NI"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/189568/Timble (detail) small.jpg" border="0" width="670" height="446" width_o="2048" height_o="1365" src_o="http://payload.cargocollective.com/1/0/14329/189568/Timble (detail) small_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Timble Tumble (Relapse)&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2009&#38;lt;br /&#38;gt;
Digital photographs mounted in car wing mirrors.&#38;lt;br /&#38;gt;
&#38;lt;i&#38;gt;Artdogging&#38;lt;/i&#38;gt;, Nuneaton Water Park.&#38;lt;br /&#38;gt;
"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/189568/Tumble (detail) small.jpg" border="0" width="670" height="446" width_o="2048" height_o="1365" src_o="http://payload.cargocollective.com/1/0/14329/189568/Tumble (detail) small_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Timble Tumble (Relapse)&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2009&#38;lt;br /&#38;gt;
Digital photographs mounted in car wing mirrors.&#38;lt;br /&#38;gt;
&#38;lt;i&#38;gt;Artdogging&#38;lt;/i&#38;gt;, Nuneaton Water Park.&#38;lt;br /&#38;gt;
"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/189568/Diorama Scene.jpg" border="0" width="670" height="447" width_o="2048" height_o="1367" src_o="http://payload.cargocollective.com/1/0/14329/189568/Diorama Scene_o.jpg" align="left" caption=" &#38;lt;b&#38;gt;&#38;lt;i&#38;gt;A Diorama&#38;lt;/i&#38;gt;&#38;lt;/b&#38;gt; 2009, Mixed Media performative installation. Exhibition shot, Margaret St School of Art."/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/189568/WS diorama polaroid -deets 670.jpg" border="0" width="670" height="536" width_o="670" height_o="536" src_o="http://payload.cargocollective.com/1/0/14329/189568/WS diorama polaroid -deets 670_o.jpg" align="left" /&#62; 

Curfew Tower 2011 from Welden &#38; Stock on Vimeo.</description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>JUNEAU BROTHERS</title>
		<link>http://www.weldensheed.com/JUNEAU-BROTHERS</link>
		<comments>http://www.weldensheed.com/following/weldensheed.com/JUNEAU-BROTHERS</comments>
		<pubDate>Mon, 22 Nov 2010 12:49:43 +0000</pubDate>

		<dc:creator>Weldens Heed</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">254155</guid>
		<description>'Juneau Brothers'
Art Band project, multiple venues
Ongoing 

Juneau Brothers is a music project  by Ben Sadler and Phil Duckworth aka collaborative duo Juneau Projects; Joseph Welden provides percussive and vocal elements.  The music of late has talked about the demise of public sculpture, pottery glazes, multifarious wildlife and being bored in the countryside. 

Recent performances include events at Aldeburgh Music, Ceri Hand Gallery, Matt’s Gallery, Fierce and Flatpack Festival and LICA Lancaster.

"They are particularly interested in the rapidly increasing speed of technological development, and its associated obsolescence. Recent work has examined the overlap between performance as musicians, sculpture and installation. They have built a series of homemade devices which attempt to function as both sculpture and playable musical instrument."      - Ceri Hand


&#60;img src="http://payload.cargocollective.com/1/0/14329/254155/flatpack 670.jpg" border="0" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/0/14329/254155/flatpack 670_o.jpg" align="left" caption="&#38;lt;i&#38;gt;The Dirty End &#38;lt;/i&#38;gt;performance for &#38;lt;i&#38;gt;Fierce&#38;lt;/i&#38;gt; festival, VIVID, Birmingham 2011"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/254155/fiercejuneau.jpg" border="0" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/0/14329/254155/fiercejuneau_o.jpg" align="left" caption="&#38;lt;i&#38;gt;The Dirty End &#38;lt;/i&#38;gt;performance for &#38;lt;i&#38;gt;Fierce&#38;lt;/i&#38;gt; festival, VIVID, Birmingham 2011"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/254155/boydJUNEAU.jpg" border="0" width="670" height="446" width_o="2048" height_o="1365" src_o="http://payload.cargocollective.com/1/0/14329/254155/boydJUNEAU_o.jpg" align="left" caption=" BringOutYourDead II, for First Fold Records, Bull's Head, moseley, Birmingham, 2011"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/254155/Wysing Mainstage - info.jpg" border="0" width="670" height="446" width_o="1620" height_o="1080" src_o="http://payload.cargocollective.com/1/0/14329/254155/Wysing Mainstage - info_o.jpg" align="left" caption="&#38;lt;i&#38;gt;Be Glad For The Song Has No End&#38;lt;/i&#38;gt;, Artband Festival curated by Andy Holden, Wysing Arts, 2010"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/254155/resize_1.jpg" border="0" width="670" height="451" width_o="670" height_o="451" src_o="http://payload.cargocollective.com/1/0/14329/254155/resize_1_o.jpg" align="left" caption="&#38;lt;i&#38;gt;'Aldburgh Sketch 04',&#38;lt;/i&#38;gt; performance for &#38;lt;i&#38;gt;Faster Than Sound &#38;lt;/i&#38;gt;program, Snape Maltings, 2010"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/254155/TheEvent2010.jpg" border="0" width="600" height="399" width_o="600" height_o="399" src_o="http://payload.cargocollective.com/1/0/14329/254155/TheEvent2010_o.jpg" align="left" caption="&#38;lt;i&#38;gt;'The Forward Statue in Flames'&#38;lt;/i&#38;gt; for &#38;lt;a href=&#38;quot;http://the-event.org/event2009/&#38;quot; target=&#38;quot;_blank&#38;quot;&#38;gt;The Event 2009&#38;lt;/a&#38;gt;, Eastside Projects, Birmingham"/&#62; 
&#60;img src="http://payload.cargocollective.com/1/0/14329/254155/kickshoe.jpg" border="0" width="670" height="444" width_o="670" height_o="444" src_o="http://payload.cargocollective.com/1/0/14329/254155/kickshoe_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/254155/KickShoe2.jpg" border="0" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/0/14329/254155/KickShoe2_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/254155/kit.jpg" border="0" width="335" height="446" width_o="335" height_o="446" src_o="http://payload.cargocollective.com/1/0/14329/254155/kit_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/254155/Aldeburgh Setup.jpg" border="0" width="670" height="446" width_o="1000" height_o="667" src_o="http://payload.cargocollective.com/1/0/14329/254155/Aldeburgh Setup_o.jpg" align="left" caption="&#38;lt;i&#38;gt;'Aldburgh Sketch 04',&#38;lt;/i&#38;gt; performance for &#38;lt;i&#38;gt;Faster Than Sound &#38;lt;/i&#38;gt;program, Snape Maltings, 2010"/&#62; </description>
		<wfw:commentRss></wfw:commentRss>

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	<item>
		<title>BLACK, WHITE AND UGLY</title>
		<link>http://www.weldensheed.com/BLACK-WHITE-AND-UGLY</link>
		<comments>http://www.weldensheed.com/following/weldensheed.com/BLACK-WHITE-AND-UGLY</comments>
		<pubDate>Thu, 28 Oct 2010 12:41:54 +0000</pubDate>

		<dc:creator>Weldens Heed</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">738461</guid>
		<description>

[...] The ideas of an indeterminate value or a flawed logic are what make up Joe Welden’s 'Sweating because you are fanning because you are sweating’. Composed of a series of ticks, crosses and empty boxes that make up an image of the artist as small boy doing press ups the work alludes to a struggle in process and with an immediate understanding of a flawed or fuzzy logic. The trophy like piece ‘DNF’, hovers somewhere between gargoyle and an ultimate chess piece. A Frankenstein’s monster of chess its total shared knowledge opens up an inconceivable amount of chess playing possibilities and in doing so seems to crash in itself as a system creating the potential of its own cyclical movements to be repeated ad infinitum [...] -  Sean Edwards


&#60;img src="http://payload.cargocollective.com/1/0/14329/738461/node framed web.jpg" border="0" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/0/14329/738461/node framed web_o.jpg" align="left" caption="&#38;lt;b&#38;gt;&#38;lt;i&#38;gt;Untitled (fine dandy)&#38;lt;/i&#38;gt;&#38;lt;/b&#38;gt; 2011&#38;lt;br /&#38;gt;
Inkjet print and pen on 220gsm Fabriano Artistico paper&#38;lt;br /&#38;gt;
420 x 297 mm, unframed"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/738461/node framed detail web.jpg" border="0" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/0/14329/738461/node framed detail web_o.jpg" align="left" caption="&#38;lt;b&#38;gt;&#38;lt;i&#38;gt;Untitled (fine dandy)&#38;lt;/i&#38;gt;&#38;lt;/b&#38;gt; 2011 (detail)&#38;lt;br /&#38;gt;
Inkjet print and pen on 220gsm Fabriano Artistico paper&#38;lt;br /&#38;gt;
420 x 297 mm, unframed"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/738461/sfs 3 longshot.jpg" border="0" width="670" height="451" width_o="670" height_o="451" src_o="http://payload.cargocollective.com/1/0/14329/738461/sfs 3 longshot_o.jpg" align="left" caption="&#38;lt;b&#38;gt;&#38;lt;i&#38;gt;Sweating because you are fanning because you are sweating&#38;lt;/i&#38;gt;&#38;lt;/b&#38;gt; 2011&#38;lt;br /&#38;gt;
Gel ink on inkjet print on paper, framed&#38;lt;br /&#38;gt;
&#38;lt;i&#38;gt;Exhibition shot: 'The Lombard Method' curated by Sean Edwards, ARTicle gallery, Birmingham&#38;lt;/i&#38;gt;"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/738461/sfs 5.jpg" border="0" width="670" height="445" width_o="670" height_o="445" src_o="http://payload.cargocollective.com/1/0/14329/738461/sfs 5_o.jpg" align="left" caption="&#38;lt;b&#38;gt;&#38;lt;i&#38;gt;Sweating because you are fanning because you are sweating&#38;lt;/i&#38;gt;&#38;lt;/b&#38;gt; 2011&#38;lt;br /&#38;gt;
Gel ink on inkjet print on paper, framed&#38;lt;br /&#38;gt;
&#38;lt;i&#38;gt;Exhibition shot: 'The Lombard Method' curated by Sean Edwards, ARTicle gallery, Birmingham&#38;lt;/i&#38;gt;"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/738461/sfs 1.jpg" border="0" width="670" height="445" width_o="670" height_o="445" src_o="http://payload.cargocollective.com/1/0/14329/738461/sfs 1_o.jpg" align="left" caption="&#38;lt;b&#38;gt;&#38;lt;i&#38;gt;Sweating because you are fanning because you are sweating&#38;lt;/i&#38;gt;&#38;lt;/b&#38;gt; 2011&#38;lt;br /&#38;gt;
Gel ink on inkjet print on paper, framed&#38;lt;br /&#38;gt;
&#38;lt;i&#38;gt;Exhibition shot: 'The Lombard Method' curated by Sean Edwards, ARTicle gallery, Birmingham&#38;lt;/i&#38;gt;"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/738461/sfs 2.jpg" border="0" width="670" height="445" width_o="670" height_o="445" src_o="http://payload.cargocollective.com/1/0/14329/738461/sfs 2_o.jpg" align="left" caption="&#38;lt;b&#38;gt;&#38;lt;i&#38;gt;Sweating because you are fanning because you are sweating&#38;lt;/i&#38;gt;&#38;lt;/b&#38;gt; (detail) 2011&#38;lt;br /&#38;gt;
Gel ink on inkjet print on paper"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/738461/DNF 2011 final web.jpg" border="0" width="670" height="445" width_o="670" height_o="445" src_o="http://payload.cargocollective.com/1/0/14329/738461/DNF 2011 final web_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;DNF&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2011&#38;lt;br /&#38;gt;
Epoxy putty, clay, acrylic, acrylic laquer, walnut, oak, felt.&#38;lt;br /&#38;gt;
Dimensions Varied"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/738461/2.jpg" border="0" width="670" height="445" width_o="670" height_o="445" src_o="http://payload.cargocollective.com/1/0/14329/738461/2_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;DNF&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2011&#38;lt;br /&#38;gt;
Epoxy putty, clay, acrylic, acrylic laquer, walnut, oak, felt.&#38;lt;br /&#38;gt;
Dimensions Varied"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/738461/BWLHAICTKE ex shot web.jpg" border="0" width="670" height="451" width_o="670" height_o="451" src_o="http://payload.cargocollective.com/1/0/14329/738461/BWLHAICTKE ex shot web_o.jpg" align="left" caption="&#38;lt;i&#38;gt;&#38;lt;b&#38;gt;Sharp Cloud&#38;lt;/b&#38;gt;&#38;lt;/i&#38;gt; 2011&#38;lt;br /&#38;gt;
Inkjet print on grey stock card&#38;lt;br /&#38;gt;
297 x 210 mm, unframed"/&#62; &#60;img src="http://payload.cargocollective.com/1/0/14329/738461/SKETCH resize.jpg" border="0" width="670" height="448" width_o="1000" height_o="669" src_o="http://payload.cargocollective.com/1/0/14329/738461/SKETCH resize_o.jpg" align="left" caption="Study for &#38;lt;b&#38;gt;&#38;lt;i&#38;gt;The way in which cookies crumble&#38;lt;/i&#38;gt;&#38;lt;/b&#38;gt; 2010&#38;lt;br /&#38;gt;
Pen and coloured pencil on paper"/&#62; </description>
		<wfw:commentRss></wfw:commentRss>

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